When the mothership descends on Wyoming, in the climactic scene of Stephen Spielberg’s 1977 film Close Encounters of the Third Kind, the usual trappings of invasion are conspicuously absent. There are ...
How do you judge a cover song? Do you compare it, moment by moment, to the original? Or do you hear its own merits as a standalone piece of music? By revisiting saxophonist Ornette Coleman’s 1972 ...
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