All modern high-definition movies are encoded to support colour depth with up to eight bits per colour because of inefficiencies of modern technology. But a number of modern displays and televisions ...

The Academy of Motion Picture Arts and Sciences used the occasion of the annual NAB Show in Las Vegas to announce the availability of its Academy Color Encoding System (ACES) 2.0, a new version of the ...

In the third and final part of Red Shark Technical Editor, Phil Rhodes' examination of the complexities of the Academy Color Encoding System (ACES), we look at how it's working out in the real world.

Some cultural debates are lodged into our collective consciousness: Beatles versus Stones, “Star Trek” versus “Star Wars,” Coca-Cola versus Pepsi. For New York City transit buffs, it's about which ...